ERROR, OBJECT, STRUCTURE comprises more than a decade of Adam Jeppesen’s work – from the epic photographic journey of the Flatlands Camp Project, 2009 to the new, monumental installation The Great Filter at BRANDTS - Museum of Art and Visual Culture, 2019.
The book contains 63 colour plates from various projects, along with text contributions from Catherine Troiano, (V&A), Sarah Allen (Tate Mordern), Hinde Haest (Foam), Søren Gosvig Olesen (Univ. of Copenhagen), Mads Damsbo (Brandts) Leonard Koren (author of Wabi-Sabi: for Artists,Designers, Poets and Philosophers, 1994 and Wabi-Sabi: Further Thoughts, 2015)
Adam Jeppesen and I are kindred spirits. We are connected through words—words that I set down in my two slender volumes on the subtle concept of wabi-sabi. As I most succinctly defined it, “Wabi-sabi is a beauty of things imperfect, impermanent, and incomplete. It is a beauty of things modest and humble. It is a beauty of things unconventional […] With a bit of imagination you can probably conjecture how Adam may have set about transforming these notions into the mysterious and elusive images and objects that appear in his art.
- Leonard Koren, 2019
Edition of 1500 copies
Published by Plethora Magazine, 2019
This publication was made in close collaboration with:
Brandts-Museum of Art and Visual Culture, Odense
Martin Asbæk Gallery, Copenhagen
Black Box Projects, London
Bendana Pinel Art Contemporain, Paris