Fundamentals 

Photo London 2020

Artist Information

Chris McCaw (USA, lives in California) uses hand-built cameras with vintage photographic paper as negatives. His artistic process is firmly rooted in the history of photography while simultaneously pushing the medium in new directions and recalls the work of photography pioneer, Henry Fox Talbot, combined with the slash and burn paintings of Lucio Fontana. He photographs the sun, making minutes, hours, or even many day-long exposures, that burn the sun’s path onto the paper and capture its movements against its land or sea background. Long exposures throughout a day, or over multiple days, materialise as marks and burns made directly by the sun’s light as the paper is exposed. The subject of the photograph (the sun) disrupts the idea that a photograph is simply a representation of reality. Instead it becomes a physical embodiment of the Earth’s movement and the passage of time.

Joanne Dugan (USA, lives in New York) produces collages made up of silver gelatin prints created without the use of a camera. She painstakingly hand cuts and hand paints her compositions using historic printing techniques and vintage equipment to pay homage to the physical limitations and opportunities found in analogue methods. Dugan views this process as a meditative one, ‘The darkroom is, for me, a refuge from the infiltration of technology and the fastness it represents. One goal with these works is to retain visual evidence of the hand used in making them.

Timo Lieber (Germany, lives in London) has, for the first time in his career, turned to the historic technique of cyanotype. C-Blue was born out of Lieber’s fascination with the Arctic and his shock at the desperately fast and potentially irreversible changes that have been caused to the environment. From lithium mines in the Atacama Desert to the world’s largest lignite open pit mine in Germany, Lieber has photographed various landscapes forever altered by resource extraction. It is the delicate fragility of the ice cap, however, that he keeps revisiting. To obtain images that chart the ice metamorphosis rather than merely document the result, Lieber returned to the 19th Century cameraless technique that utilises daylight to expose paper coated with a light-sensitive solution. Melting ice crystals reflects the light and leaves traces on the canvas. As in nature meticulous planning conflicts with the laws of physics resulting in images as unique as the combined impact of all the elements that have come together to create them.

Joni Sternbach (USA, lives in New York) uses both large-format film and early photographic processes to explore the present-day landscape to make environmental portraits. Her work centres on our relationship with water, contrasting some of the most desolate deserts in the American West with iconic surf beaches around the world that captures thirteen years of portraits of surfers in tintype. She works with a large-format camera and a wet-collodion process that must be prepared and developed in situ. The very nature of collodion is spontaneous and unpredictable. It is precisely this raw quality of the process that suits the subject matter, giving it a distinctive appearance and echoing important traditions of 19th-century anthropological photography.

Adam Jeppesen (Denmark, lives in Argentina) creates work that addresses the materiality and transience of the photograph as an object. Much of Jeppesen's work is the result of a solitary 487-day journey from the North Pole to Antarctica in 2007. The journey has left visible traces and blemishes on the photographs as he carried his film and camera equipment with him on the road, where the negatives picked up grit and dust along the way. Jeppesen celebrates these imperfect elements rather than tries to hide them. Coincidence, damage and imperfection are essential elements in his work. At a time when the image has become infinitely perfectible and reproducible, Jeppesen experiments with the photograph as a unique object that is subject to the forces of change and decay.

Liz Nielsen (USA, lives in New York) uses a contemporary application of one of the best-known avant-garde photographic processes - the photogram - which was first mastered by Man Ray and Maholy-Nagy at the beginning of the 20th Century. Each unique colour image is created without a camera by placing objects directly onto photographic paper and exposing them to light. 'The final outcomes are pre-planned with strong intention and formally composed,' she explains, 'but because I'm working with light, they always have some surprises. The light bleeds and spills and doesn't want to be contained.'

Steve Macleod (Scotland, lives in London) is inspired by the Pictorial movement popularised in the late 19th and early 20th centuries. For a Pictorialist, a photograph, like a painting, drawing or engraving, is a way of projecting an emotional intent into the viewer's realm of imagination. His works often utilise chiaroscuro elements of light and shade creating a melancholic, expressive mood. Macleod shoots on a large-format camera with a consistently systematic and meticulous approach so that he can absorb and slow the pace of the images. He creates a stillness, a sense of extended present time through narrow depth of field and camera movements, there is an obtuse visibility of detail - the aim is to question what lies between the elements beyond and within photographs, by decelerating the process of photography, with a distilled focus on the basic principles of making.

About Black Box Projects

Founded in 2017, Black Box Projects specialises in contemporary photography and contemporary art that is created using photographic materials. Committed to working with artists who push the limits of traditional photographic practice, Black Box Projects does not keep a permanent space, instead arranging project-based exhibitions in order to tailor the experience to the individual needs of the artist and the work exhibited. Black Box Projects aims to be a pioneer of the changing gallery model, as well as presenting a transparent working model with artists, clients and other gallerists that fosters community, creativity and collaboration.

www.blackboxprojects.art