ERROR, OBJECT, STRUCTURE comprises more than a decade of Adam Jeppesen's work - from the epic photographic journey of The Flatlands Camp Project, 2009 to the new, monumental installation The Great Filter at BRANDTS Museum of Art and Visual Culture, 2019.
The book contains 63 colour plates from various projects, along with text contributions from Catherine Troiano, (V&A), Sarah Allen (Tate Modern), Hinde Haest (Foam), Søren Gosvig Olesen (Univ. of Copenhagen), Mads Damsbo (Brandts) Leonard Koren (author of Wabi-Sabi: for Artists, Designers, Poets and Philosophers, 1994 and Wabi-Sabi: Further Thoughts, 2015)
Adam Jeppesen and I are kindred spirits. We are connected through words-words that I set down in my two slender volumes on the subtle concept of wabi-sabi. As I most succinctly defined it, "Wabi-sabi is a beauty of things imperfect, impermanent, and incomplete. It is a beauty of things modest and humble. It is a beauty of things unconventional […] With a bit of imagination you can probably conjecture how Adam may have set about transforming these notions into the mysterious and elusive images and objects that appear in his art.
- Leonard Koren, 2019
Edition of 1500 copies
149 pages, off-set print
27.0 x 21.5 cm format
Published by Plethora Magazine, 2019
Printed by Narayana Press Yoga Ashram
Price: £ 65.00
This publication was made in close collaboration with:
Brandts-Museum of Art and Visual Culture, Odense
Martin Asbæk Gallery, Copenhagen
Black Box Projects, London
Bendana Pinel Art Contemporain, Paris