Photo London, Somerset House: Stand D8
BLACK BOX PROJECTS PRESENTS NEW WORK BY STEVE MACLEOD AT PHOTO LONDON 2018
STAND D8
Hala (which means ‘aura’ in Arabic’) is the latest series by artist Steve Macleod. Black Box Projects will present the debut exhibition of this body of work at Photo London, which will run from 17 - 20 May at Somerset House, London. The series comprises 30 images, all taken on a large-format camera between 2015 and 2017, with printed sizes ranging from 40 cm x 50 cm to 2 metres x 1.5 metres.
The series was inspired by a collection of photographs that Macleod came across in 2008 while working in Dubai, taken by the British explorer Sir Wilfred Thesiger.
-
1١
From the series Hala, 2015-2017
Archival pigment print on Hahnemuhle etching paper
-
2٢
From the series Hala, 2015-2017
Archival pigment print on Hahnemuhle etching paper
-
3٣
From the series Hala, 2015-2017
Archival pigment print on Hahnemuhle etching paper
-
4٤
From the series Hala, 2015-2017
Archival pigment print on Hahnemuhle etching pape
-
5٥
From the series Hala, 2015-2017
Archival pigment print on Hahnemuhle etching paper
-
6٦
From the series Hala, 2015-2017
Archival pigment print on Hahnemuhle etching paper
-
7٧
From the series Hala, 2015-2017
Archival pigment print on Hahnemuhle etching paper
-
8٨
From the series Hala, 2015-2017
Archival pigment print on Hahnemuhle etching paper
-
9٩
From the series Hala, 2015-2017
Archival pigment print on Hahnemuhle etching paper
-
10١٠
From the series Hala, 2015-2017
Archival pigment print on Hahnemuhle etching paper
-
11١١
From the series Hala, 2015-2017
Archival pigment print on Hahnemuhle etching paper
-
12١٢
From the series Hala, 2015-2017
Archival pigment print on Hahnemuhle etching paper
-
13١٣
From the series Hala, 2015-2017
Archival pigment print on Hahnemuhle etching paper
-
14١٤
From the series Hala, 2015-2017
Archival pigment print on Hahnemuhle etching paper
-
15١٥
From the series Hala, 2015-2017
Archival pigment print on Hahnemuhle etching paper
-
16١٦
From the series Hala, 2015-2017
Archival pigment print on Hahnemuhle etching paper
-
17١٧
From the series Hala, 2015-2017
Archival pigment print on Hahnemuhle etching paper
-
18١٨
From the series Hala, 2015-2017
Archival pigment print on Hahnemuhle etching paper
-
20٢٠
From the series Hala, 2015-2017
Archival pigment print on Hahnemuhle etching paper
-
21٢١
From the series Hala, 2015-2017
Archival pigment print on Hahnemuhle etching paper
-
22٢٢
From the series Hala, 2015-2017
Archival pigment print on Hahnemuhle etching paper
-
23٢٣
From the series Hala, 2015-2017
Archival pigment print on Hahnemuhle etching paper
-
24٢٤
From the series Hala, 2015-2017
Archival pigment print on Hahnemuhle etching paper
-
25٢٥٠
From the series Hala, 2015-2017
Archival pigment print on Hahnemuhle etching paper
-
26٢٦
From the series Hala, 2015-2017
Archival pigment print on Hahnemuhle etching paper
-
27٢٧
From the series Hala, 2015-2017
Archival pigment print on Hahnemuhle etching paper
-
28٢٨
From the series Hala, 2015-2017
Archival pigment print on Hahnemuhle etching paper
-
29٢٩
From the series Hala, 2015-2017
Archival pigment print on Hahnemuhle etching paper
-
'Hala' by Steve Macleod at Abu Dhabi Art Fair
14-17 November October 30, 2018We are delighted to announce that Steve Macleod’s Hala series will be exhibited in the Sheikh Zayed Memorial Zone at the Abu Dhabi Art Fair,...Read more -
PRESS: PHOTOWORKS
Ideas Series: Steve Macleod May 14, 2018Photoworks Director, Shoair Mavlian, looks at Steve Macleod's latest series, 'Hala' ahead of Black Box Projects showcasing the work at Photo London, 2018. ‘When I...Read more
PRESS RELEASE
Hala by Steve Macleod
Black Box Projects
Stand D8, Photo London, Somerset House, 17 – 20 May 2018
“The longer we stare at nothing, the more chance that something will appear to us, creating an unfathomable aura and thoughtful meaning.” Steve Macleod
Hala, a major new series of work by artist Steve Macleod, will be on show for the first time with Black Box Projects at Photo London 2018. Hala, drawn from the Arabic word for ‘aura’, comprises 30 large-scale photographs created in the United Arab Emirates, inspired by a collection of images by British explorer Sir Wilfred Thesiger.
In 2008, Macleod stumbled across Thesiger’s photographs made on the behalf of the Middle East Anti Locust Unit following World War II. Taken in the Empty Quarter, known by the Beduoin as ‘Rub al Khali’, Thesiger had traversed one of the most desolate landscapes on the Arabian Peninsula. However, it was not the photographs alone which drew Macleod’s interest but a comment by Thesiger: ‘In the desert, I had found a freedom unattainable in civilisation’.
What followed, after several years of trying to gain access to the region, was Macleod’s first series of work created outside of the UK. In 2015 he began shooting in the Al Hajar mountain range, a military exclusion zone which runs down the east of the Arabian Peninsula and is the highest and most inhospitable place in the region. It was here that Macleod discovered his own wilderness and a place to experience a true expression of nothingness.
Working with his large-format camera, Macleod created this new series of landscapes, devoid of human presence, which embody his Pictorialist ideology. His photographs have always been characterised by landscape’s direct relationship to his own psychological state – translating emotion through the lens using colour, subject matter and light. The brooding and dark images of his recent work have been put aside in favour of this body of work that explores colour, light and a landscape of vast emptiness. The resulting pictures speak of redemption - a journey from desert lowlands to a stark and exposed summit - an exploration towards wellness and light. The works are archival inkjet prints on a highly textured watercolour paper, imbuing them with a tactile quality and a painterly style reminiscent of early Japanese watercolours.
Macleod says:
“Time stopped as I ventured through silent valley creeks and dry riverbeds. Fierce winds blew high up onto the mountain peaks as I experienced wide breath-taking vistas. I came across ancient Bedouin clan plots, low rock enclosures and pitches marked out on the ground; and small boulder caves; camouflaged and seemingly as ancient as the mountains themselves.
For hours I watched the light, and by searching into a void of nothingness I experienced something that went beyond photography. It felt like I was viewing an untranslatable something that lay within and beyond the mountains – I wasn’t there just to take photographs; the landscape was helping explain that even if nothing presented itself to me, there would always be something meaningful to experience.”
Professor Steve Macleod is a landscape photographer. He travels extensively to undertake his practice and his work interprets landscape as a metaphor to describe historical and humanist subjects that connect us with the environment we inhabit.
Represented exclusively by Black Box Projects in London, he exhibits internationally and his works are sought after and held in both private and public collections, including HRH the Duchess of Cambridge and HH Sheikha Fatima Bint Hazza' Al Nahyan.
Macleod is also an educator - a regular lecturer and speaker on photography subjects he is a respected industry professional with twenty-five years experience. He is a Visiting Professor at UCS East Anglia; a Trustee of the Queen Elizabeth Scholarship Trust (QEST) and Lifetime member of Frontline Club in London. He also operates a successful mentorship programme for emerging artists.
Notes to Editors:
Black Box Projects
Black Box Projects specialises in contemporary photography and contemporary art that is created using photographic materials. The gallery is committed to working with artists who push the limits of traditional photographic practice. The gallery does not keep a permanent space, instead it arranges pop-up exhibitions in order to tailor the experience to the individual needs of the artist and the work.
For further information, images or interview requests please contact:
Anna Kirrage
07815934072